research

Erwin Ratz – Life and Works – An approximation
In: Musikleben – Studien zur Musikgeschichte Österreichs: Bd.4
Peter Lang – Europäischer Verlag der Wissenschaften, Frankfurt/M. ,1996
ISBN 3-631-49520-X

“Aus der Wachheit der Avantgarde zu hintergründiger Klarheit”
Zum 100.Geburtstag von Erwin Ratz
(“From the attentiveness of avant garde to deep clearness”
At the 100. birthday of Erwin Ratz)
In: Österreichische Musikzeitschrift (ÖMZ) 53.Jg. (12/1998 S.25 Ð 32)
ISSN 00 29-9316

KLANGPILOT – a software environement for
control and composing synthetic sound
In der Reihe: books@ocg.at Band 133: S. 255-266.
Diderot forum on Mathematics and Music (Feichtinger/Dörfler eds.)
Österreichische Computergesellschaft, Wien 1999
ISBN 3-85403-133-5

KLANGPILOT – A SOFTWARE AND A NEW PARADIGM FOR WRITING SOUND

“… die besondere Qualität des freien Falls …”
Beobachtungen zur österreichischen Ensemble-Szene
(Obserbations of the Austrian Scene of Ensembles for New Music)

In: Österreichische Musikzeitschrift (ÖMZ) 57.Jg. (10/2002 S. 8-11)
ISSN 00 29-9316

Composing Sounds
Developing tools for refined control of timbre in music
In: Johannsen, G. and De Poli, G. (Guest Editors):
Human Supervision and Control in Engineering and Music.
Special Issue, Journal of New Music Research, 2002.

Continuous Gestures of Structured Material
Experiences in Computer Aided Composition
In: Jacopo Baboni Schilingi (ed.): “PRISMA – 01”
Euresis Edizioni, Milano. Orders: euresisedizioni@euresis.net
ISBN 88-87112-28-2

Navigation of Structured Material in “second horizon” for Piano and Orchestra (2002)
In: “The OpenMusic Book” published in “Science et Mathematiques” by Editions DELATOUR in 2006.

50 years of electronic music – expanded Reality / infinte playground / parallel universe?
In: Österreichische Musikzeitschrift (ÖMZ): “Ways of electronic music”

The Non-Hierarchical Rhythmical Language of Ngeche for Piano and Electronics
Contemporary Music Review, Volume 28, Issue 2 April 2009 , pages 167 – 179
ISSN: 1477-2256 (electronic) 0749-4467 (paper)

STROM-MUSIK (concert series of IGNM)
Freistil #28

Extending the KLANGPILOT Score Language for Real-Time Notation
Contemporary Music Review, Volume 29, Issue 1, 2010 , pages 29 – 37
ISSN: 1477-2256 (electronic) 0749-4467 (paper)

Freedom and Necessity in Computer Aided Composition: A Thinking Framework and its Application
Proceedings of CHAOS 2010 International Conference , Chania, Crete, Greece 2010, also published in CHAOS THEORY Modeling, Simulation and Applications (World Scientific 2011)

Sound articulation from Taiwanese aborigines to DJing over Internet

desparate composers: Über die Problematik der Musikförderung aus der Sicht der ökonomischen Situation von Komponist(inn)en in Österreich
In: Österreichische Musikzeitschrift (ÖMZ) 65.Jg. (9/2010 S.20-25)
ISSN 00 29-9316

KLANGPILOT – A NEW INTERFACE FOR “WRITING” (NOT ONLY) SYNTHETIC SOUNDS
In: Proceedings of the International Computer Music Conference ICMC 2011, Huddersfield 2011

KLANGPILOT – A NEW INTERFACE FOR “WRITING” (NOT ONLY) SYNTHETIC SOUNDS
In: Proceedings “Forum Medientechnik” St. Pölten 2011

Turing Test for dancers

Multi Sensor Tracking for Live Sound Transformation
With A.Furhmann & Peter Burwik. In: Proceedings “NIME 2013” South Korea 2013

Formalisierung kompositorischer Vorgänge mittels Computer Aided Composition, ein exemplarisches Beispiel künstlerischer Forschung? Published in “Performing Translation”, Werner Hasitschka (Hrsg.) Wien, Löcker 2014.

JOHANNES KRETZ, WEI-YA LIN: SOUND ARTICULATION – FROM ETHNOMUSICOLOGY ABOUT TAIWANESE ABORIGINES TO CONTEMPORARY COMPOSITION Published in FOLCLOR SI POSTFOLCLORIN CONTEMPORANEITATE. Proceedings of the international Conference in Moldavia 2015

Kayali, F. Hödl, O. Fitzpatrick, G. Purgathofer, P. Filipp, A. Mateus-Berr, R. Kühn, U. Wagensommerer, T. Kretz, J. Kirchmayr, S. 2017. Playful Technology-Mediated Audience Participation in a Live Music Event. The ACM SIGCHI Annual Symposium on Computer-Human Interaction in Play (CHI PLAY) 2017, Amsterdam, NL, Oct 15th – 18th.2013